“Out of Place” was the artist’s solo exhibition in a vacant house (The village decided to covert it into future storage.) during his residency in Treasure Hill Artist Village. The content of exhibition then changed through time. 

甫於打開-當代藝術工作站結束的《年—非常快，或緩慢的改變》，是羅仕東歷經為期六個月藝術駐村結束，相隔半年後再度對這段寶藏岩經驗回應的個展。

這批發表作品全部都是關於寶藏岩的，或者精確地説，都是關於羅仕東這個個體所重疊到的寶藏岩——不管是他對駐村期間的策動、計畫的整理，還是抽取自駐村生活中的經驗碎片，或是那些不只在半年之間所累積的傳說與奇聞軼事。這些影像和物件以獨特的形態混雜著個人記憶與集體記憶的線索，在進入夜色的暗室展場裡，羅仕東試圖引領我們或者透過作品向我們顯像的狀態，是一種從夜晚開始對寶藏岩進行的凝視，所看的不是寶藏岩的物理空間，而是寶藏岩這個「事件- 所在」。

Treasure Hill is located on the site of a temple devoted to Guanyin, in Taipei. Over fifty years ago, people started building their own houses, on this land owned by the Ministry of National Defense. Originally it was settled in by war veterans, but developed into a community composed mainly of poor people, migrant workers and others who couldn’t afford the steep prices in the area. Thus the inhabitants were generally a marginalised and voiceless community.

Video work "Ghost next to the City". The script is written according to a conflagration which happened years ago in Treasure Hill. Through photo documents and interviews with residents, one can relate various images of fire to the past lifestyles of residents, whether it be fire accidents, bonfires, or fires for the purpose of producing light and warmth. These flickers of light can be seen as historical signifiers, linking together all the different people and memories belonging to this land.